"Thin Air" represents a more experimental chapter in my artistic journey. The discovery of the Japanese brush brought a newfound unpredictability to my work, introducing fluid, uncertain strokes that I found both liberating and intriguing. In this series, I sought to capture the delicate movement of a feather gently descending, expressing that lightness through soft, flowing lines. Beneath this seeming fragility, an invisible grid provided a quiet structural foundation, creating a balance between spontaneity and control. This phase allowed me to explore the interplay between the unpredictable nature of the brush and the underlying precision of the grid, resulting in a refined balance between chaos and order in my work.